Post-traumatic Culture: Injury and Interpretation in the Nineties Kirby Farrell

ISBN: 9780801857874

Published:

Paperback

440 pages


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Post-traumatic Culture: Injury and Interpretation in the Nineties  by  Kirby Farrell

Post-traumatic Culture: Injury and Interpretation in the Nineties by Kirby Farrell
| Paperback | PDF, EPUB, FB2, DjVu, audiobook, mp3, ZIP | 440 pages | ISBN: 9780801857874 | 3.13 Mb

According to Kirby Farrell, the concept of trauma has shaped some of the central narratives of the 1990s—from the war stories of Vietnam vets to the video farewells of Heavens Gate cult members, from apocalyptic sci-fi movies to Ronald ReagansMoreAccording to Kirby Farrell, the concept of trauma has shaped some of the central narratives of the 1990s—from the war stories of Vietnam vets to the video farewells of Heavens Gate cult members, from apocalyptic sci-fi movies to Ronald Reagans memoir, Wheres the Rest of Me?

In Post-traumatic Culture, Farrell explores the surprising uses of trauma as both an enabling fiction and an explanatory tool during periods of overwhelming cultural change.Farrells investigation begins in late Victorian England, when physicians invented the clinical concept of traumatic neurosis for an era that routinely categorized modern life as sick, degenerate, and stressful. He sees similar developments at the end of the twentieth century as the Vietnam war and feminism returned the concept to prominence as post-traumatic stress syndrome.

Seeking to understand the psychological dislocation associated with these two periods, Farrell analyzes conflicts produced by dramatic social and economic changes and suddenly expanded horizons. He locates parallels between the cultural fantasies of the 1890s in novels and stories by Arthur Conan Doyle, Rider Haggard, H. G. Wells, Bram Stoker, and Oscar Wilde, and novels and films of the 1990s that explore such issues as child sexual abuse, domestic violence, unemployment, racism, and apocalyptic rage.

In their dependence on late-Victorian models, the cultural narratives of 1990s America imply a crisis of storylessness deeply implicated in the sense of injury that haunts the close of the twentieth century.



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